I’ve taken advice from two professional screenwriting mentors when critiquing my screenplay to create this post.
And I wanted to to share with you.
My mission is to help people become better screenwriters faster than if they were to do it on their own.
And a couple of other bonuses I will only share in this post at the end.
Remember this as it’s the framework of any scene in any movie. Without it, the scene becomes pointless.
Without it a scene can be considered bad.
What stops a character from getting to their goal?
What are scene obstacles? The obstacles of a scene are the problems that come up during the scene that stops the hero from obtaining the goal.
The locked door, The government decision, the lawyer, the friend
Anything that stops the hero. Because if the hero accomplishes their goal, the movie is over.
Now that we got that out the way.
Let’s move to the technical stuff.
Screenwriting Scene Structure
- Scene heading (where are we)
- Scene description (what’s happening/ action)
- Character introductions (who’s there)
- Action lines (what are they doing)
- Character name
- Dialogue (what are they saying)
Each part is roughly written on paper in the order of importance.
Notice how dialogue is last.
It’s not only the last thing you write but also the last thing you need to focus on in a scene.
Remember what a character does is more important.
What Needs to Happen in each Scene?
Each scene needs to contain three things:
1.) Again, we need the hero of the story need to attempt to accomplish a goal.
The hero’s goal + Obstacle = Conflict.
I need to get in the car + my wife has the keys = I have to argue with her to get my keys back.
3.) We need to find out more information.
The hero, the goal, the villain, the story, or all of the above. This needs to take place to keep the story driving forward.
It can be something small or something significant. It doesn’t matter; it just needs to happen.
This part happens typically naturally, but it’s something to keep in mind.
When to Start a New Scene in a Screenplay?
You start a new scene in a screenplay when the hero has to go to a new location at a different time to accomplish their goal.
In the example above, the main character, the detective, was trying to solve a murder. She found out that character X didn’t commit the crime, but resized character Y was also at the murder location.
The scene ends, and a new scene at characters Y’s place starts, or a new scene can start during the travel to the new location.
What can you cut out the scene?
What can you cut out the scene for it still to work?
Think to yourself:
- Do you need that line of dialogue?
- Do you need this action line?
- Do you even need this scene?
These are hard questions for a screenwriter to answer because writers fall in love.
In love with characters, scenes locations, and words.
My mentor, the one who inspired me to write this post, asked me if I needed one of the main characters sitting at the table.
Me: Yes, why?
Him: Because he only does X, Y and Z none of which is really needed for the story.
He was right.
But I loved that character even though he didn’t need to be there.
He didn’t need to exist in the story at all.
Yes, the character was funny, and yes, he did some interesting stuff. But, interesting isn’t the story.
Cut, cut and cut again.
What did the professionals have to say?
This is a list of general advice I received that might help.
Don’t ever overwrite. Don’t use sixteen words to explain something that can take six. Explaining every little detail is a mistake.
She sits pondering what will happen to her career next. She thought about her past jobs if she could go back.
Don’t micromanage scenes giving detail to reactions and actions.
(he sighs out of frustration)
Let the actor and director decided on how much of a reaction the character would give. Your job is the story, not the reaction of the character.
The only time this would be acceptable is in a significant turning point in a movie or T.V. show. Writing some sort of reaction, there would be acceptable.
Let the scene surprise you. Sometimes when you’re writing, you might have the inspiration to take the scene somewhere other than your outline.
Let it happen. You might end up with something better.
Never stick too close to your outline.
Screenplay Scene Examples
Below are two popular scenes from two great movies.
Let’s take a look at what they both do right.
What does this scene have?
Conflict lots of it. Even if you don’t know what’s happening, you can feel it.
Okay that’s all folks
Today you learned…
- What’s the purpose of a scene.
- What is the structure format of a scene.
- What needs to happen in each scene.
- When is it over and when we are in a new scene.
- What makes a scene good or bad.
All are key to creating that next scene in your script that will wow readers and your screenplay up to that agent, manager, or producer.
Now it’s Time to Hear From You:
Did I miss anything?
What did you learn about scene construction from this post?
What have you been missing in your scenes?
What ever your answer is let me hear it in the comments below.